ACTING
THE BEST LITTLE WHOREHOUSE IN TEXAS
“Miller has not sung on a Lubbock stage since starring in “Big River” years before he left to forge a professional career. He pulls off “Good Old Girl,” which never was the directorial risk. Rather, Brown more easily could cast Miller, a natural comic, as Melvin or the governor. To his credit, Miller finds a tough, threatening edge for his character; he is at home with Ed Earl’s semi-profane, Texas dialogue and threats, and never comes across as a boy cast in a man’s role. He owns the part, even when his character makes the worst decisions.”
- Wiliam Kerns, Lubbock Avalanche-Journal
ARSENIC & OLD LACE
“There clearly are no bad performances, with a large cast also including potential victims and a number of visiting officers, the most amusing being Chad Anthony Miller's Officer O’Hara, a playwright needing help with “the words.” No one makes silly believable like Chad.”
- Wiliam Kerns, Lubbock Avalanche-Journal
RIPCORD
"It was Miller’s intention to only direct but, when a supporting actor departed, Miller stepped in to also play day orderly Scotty. Miller provides more believable depth and range than was written for the character."
- William Kerns, Lubbock Avalanche-Journal
Winner of the GW Bailey Award: Favorite Male Actor in a Leading Role
THE PROM
”I had the pleasure of working with Chad as his director for a production of The Prom for McLeod Summer Playhouse in 2024, and I can confidently say he is an exceptional artist, actor, and collaborator. From the beginning of the rehearsal process, Chad approached his role with thoughtfulness, dedication, and a deep sense of professionalism. He came into the room prepared, open to exploration, and ready to dive into the nuances of his character with integrity and intelligence.
As a director, I appreciated Chad’s responsiveness to direction, feedback, ability to make bold choices, and willingness to take creative risks. He consistently demonstrated a clear understanding of the story we were telling and brought a grounded, compelling presence to every rehearsal and performance. His work was emotionally resonant, hilarious, and technically precise. Chad is an exceptional character actor with a comedic timing that is nothing but exemplary.
Beyond his individual performance, Chad was a generous, affirming, and supportive ensemble member. He fostered a sense of camaraderie within the cast, offering encouragement and assistance whenever needed. His positive attitude and strong work ethic set a high standard and contributed to a healthy, collaborative rehearsal environment.
It was truly a joy to direct Chad. Collaborating with Chad helped me further develop my skills and techniques as a director. I would welcome the opportunity to work with them again in a heartbeat. His talent, humility, and professionalism make him an invaluable asset to any production. I am honored to have Chad as a colleague, but grateful to call him my friend.
- Rion Towery (Director)
WE ARE A MASTERPIECE
- Playwright, Gina Femia
"From the beginning of the play, Chad Anthony Miller shows a sober and somber personality in his very fine portrayal of Ryan, who starts the play by reflecting on the past – the play’s present – in 2017."
- Anthony J. Piccione, Onstage Blog
"Miller's portrayal of Ryan is touching and sensitive, whether he is asking to dig his partner's grave or discussing painting with Joan."
- Leah Richards, CULTURECATCH
MARIANAS TRENCH
”Working with Chad Anthony Miller is a rare treat because of his winning combination of professionalism, intelligence, advanced skill, emotional availability, and sharp instincts. On top of that, he’s extremely friendly, giving, and very fun to be around. What I love most about Chad is his deep dedication to the work. You can feel how important the process of theatre is to him. It is always a joy to work with Chad.”
- Jan Bentley (DIrector)
A CAREFULLY PLANNED SPONTANEITY
”As an Intimacy Director, it's always a pleasure to work with an actor who is not only open but truly committed to exploring the intersection of character, story, and sexuality. Chad brought just that energy to the table. He was always approachable, arriving with a sense of humor that made collaboration feel seamless. His openness in discussing the intricacies of his character's emotional and physical journey allowed us to find creative, thoughtful ways to navigate the intimacy in the story. His professional attitude and genuine curiosity made him an incredible collaborator, ensuring both safety and authenticity in every moment we worked on together.”
- Pradanya Subramanyan (Intimacy Director)
DIRECTING
RIPCORD
"To an extent, visiting director Chad Anthony Miller’s interpretation of David Lindsay-Abaire’s comic “Ripcord” begins in pleasantly entertaining fashion, reminiscent of any number of television sitcom characters...Miller’s pacing is admirable, introducing a number of inventive, not-very-nice battles within the war. There is a hanging sequence right out of “Harold and Maude,” and an irritating, but guaranteed, way to keep an opponent’s telephone ringing. Mind you, an involved stunt closing Act One finds these characters’ daily reality transformed into the fantastic and farcical. In other words, it is too ludicrous to believe for even a minute -- which to the credit of the newly costumed ensemble, not to mention Miller’s vision, makes it no less entertaining."
- William Kerns, Lubbock Avalanche-Journal
